I’m not going to lie, TikTok has provided me with a wealth of new reading matarial, much of it I couldn’t possibly read in an entire lifetime.
Does that stop me from adding to my TBR pile? Absolutely Not. Because Reasons.
Mostly BookTok is a mash of dark romance, erotic romance, and fantasy romance. But every now and then I find a glimmer, nay, a shimmer, of thrillers. Mmmm, thrillers.
Here are some good BookTok recommendations that have made it onto my list. Let me know if you have any other recc’s!

The Plot
Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then . . . he hears the plot.
Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that—a story that absolutely needs to be told.
In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.
As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?

Pretty Girls
Sisters. Strangers. Survivors.
More than twenty years ago, Claire and Lydia’s teenaged sister Julia vanished without a trace. The two women have not spoken since, and now their lives could not be more different. Claire is the glamorous trophy wife of an Atlanta millionaire. Lydia, a single mother, dates an ex-con and struggles to make ends meet. But neither has recovered from the horror and heartbreak of their shared loss—a devastating wound that’s cruelly ripped open when Claire’s husband is killed.
The disappearance of a teenage girl and the murder of a middle-aged man, almost a quarter-century apart: what could connect them? Forming a wary truce, the surviving sisters look to the past to find the truth, unearthing the secrets that destroyed their family all those years ago . . . and uncovering the possibility of redemption, and revenge, where they least expect it.

The Kind Worth Killing
In a tantalizing set-up reminiscent of Patricia Highsmith’s classic Strangers on a Train… On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché.
But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . .
Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda’s demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth.
Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.

The Dark
In the most inhospitable environment – cut off from the rest of the world – there’s a killer on the loose.
A&E doctor Kate North has been knocked out of her orbit by a personal tragedy. So when she’s offered the opportunity to be an emergency replacement at the UN research station in Antarctica, she jumps at the chance. The previous doctor, Jean-Luc, died in a tragic accident while out on the ice.
The move seems an ideal solution for Kate: no one knows about her past; no one is checking up on her. But as total darkness descends for the winter, she begins to suspect that Jean-Luc’s death wasn’t accidental at all.
And the more questions she asks, the more dangerous it becomes . . .

The House of Ashes
Sara Keane’s husband, Damien, has uprooted them from England and moved them to his native Northern Ireland for a “fresh start” in the wake of her nervous breakdown. Sara, who knows no one in Northern Ireland, is jobless, carless, friendless—all but a prisoner in her own house. When a blood-soaked old woman beats on the door, insisting the house is hers before being bundled back to her care facility, Sara begins to understand the house has a terrible history her husband never intended for her to discover. As the two women form a bond over their shared traumas, Sara finds the strength to stand up to her abuser, and Mary—silent for six decades—is finally ready to tell her story . . .
Through the counterpoint voices—one modern Englishwoman, one Northern Irish farmgirl speaking from half a century earlier—Stuart Neville offers a chilling and gorgeous portrait of violence and resilience in this truly haunting narrative.

My Lovely Wife
Dexter meets Mr. and Mrs. Smith in this wildly compulsive debut thriller about a couple whose fifteen-year marriage has finally gotten too interesting…
Our love story is simple. I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored.
We look like a normal couple. We’re your neighbors, the parents of your kid’s friend, the acquaintances you keep meaning to get dinner with.
We all have our secrets to keeping a marriage alive.
Ours just happens to be getting away with murder.

Appetite for Innocence
Be careful what you post online. Your next check-in might lead him right to you…
A serial rapist is kidnapping teenage girls. But he’s not interested in just any teenage girls—only virgins. He hunts them by following their status updates and check-ins on social media. Once he’s captured them, they’re locked away in his sound-proof basement until they’re groomed and ready. He throws them away like pieces of trash after he’s stolen their innocence. Nobody escapes alive.
Until Ella.
Ella risks it all to escape, setting herself and the other girls free. But only Sarah—the girl whose been captive the longest—gets out with her. The girls are hospitalized and surrounded by FBI agents who will stop at nothing to find the man responsible. Ella and Sarah are the key to their investigation, but Sarah’s hiding something and it isn’t long before Ella discovers her nightmare is far from over.

The Last Housewife
While in college in upstate New York, Shay Evans and her best friends met a captivating man who seduced them with a web of lies about the way the world works, bringing them under his thrall. By senior year, Shay and her friend Laurel were the only ones who managed to escape. Now, eight years later, Shay’s built a new life in a tony Texas suburb. But when she hears the horrifying news of Laurel’s death—delivered, of all ways, by her favorite true-crime podcast crusader—she begins to suspect that the past she thought she buried is still very much alive, and the predators more dangerous than ever.
Recruiting the help of the podcast host, Shay goes back to the place she vowed never to return to in search of answers. As she follows the threads of her friend’s life, she’s pulled into a dark, seductive world, where wealth and privilege shield brutal philosophies that feel all too familiar. When Shay’s obsession with uncovering the truth becomes so consuming she can no longer separate her desire for justice from darker desires newly reawakened, she must confront the depths of her own complicity and conditioning. But in a world built for men to rule it—both inside the cult and outside of it—is justice even possible, and if so, how far will Shay go to get it?

What Lies Between Us
Nina can never forgive Maggie for what she did. And she can never let her leave.
They say every house has its secrets, and the house that Maggie and Nina have shared for so long is no different. Except that these secrets are not buried in the past.
Every other night, Maggie and Nina have dinner together. When they are finished, Nina helps Maggie back to her room in the attic, and into the heavy chain that keeps her there. Because Maggie has done things to Nina that can’t ever be forgiven, and now she is paying the price.
But there are many things about the past that Nina doesn’t know, and Maggie is going to keep it that way—even if it kills her.
Because in this house, the truth is more dangerous than lies.

Still Missing
On the day she was abducted, Annie O’Sullivan, a thirty-two year old realtor, had three goals—sell a house, forget about a recent argument with her mother, and be on time for dinner with her ever- patient boyfriend.
The open house is slow, but when her last visitor pulls up in a van as she’s about to leave, Annie thinks it just might be her lucky day after all. Interwoven with the story of the year Annie spent as the captive of psychopath in a remote mountain cabin, which unfolds through sessions with her psychiatrist, is a second narrative recounting events following her escape—her struggle to piece her shattered life back together and the ongoing police investigation into the identity of her captor.
The truth doesn’t always set you free.
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